secondary dominant

theorySEK-un-dair-ee DOM-in-antfrom English

A dominant chord that temporarily tonicises a scale degree other than the tonic

In Depth

A secondary dominant is labelled V/x, where x is the chord being tonicised. For example, V/V in C major is a D major chord, which is the dominant of G. These chords inject momentary chromatic colour without a full modulation, creating forward motion toward their target. Any diatonic chord except the diminished triad can serve as a temporary tonic. Secondary dominants are the most common source of accidentals in tonal music and form the foundation of applied chord theory.
Did you know?

The opening of Beethoven's First Symphony uses a chain of secondary dominants, which confused early audiences who could not immediately identify the home key.

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