ritornello form
A Baroque musical structure in which a recurring orchestral passage (the ritornello) alternates with contrasting episodes, typically featuring a soloist.
In Depth
Ritornello form is the defining structure of the Baroque concerto, particularly as developed by Antonio Vivaldi. The full orchestra (tutti) presents a memorable theme — the ritornello — which returns throughout the movement in various keys, while contrasting episodes feature the soloist or soloists in virtuosic, often improvisatory passages. The ritornello acts as a structural anchor, with each return providing both familiarity and harmonic variety as it appears in different keys.
Vivaldi established the model in his hundreds of concertos, and J.S. Bach adopted and expanded it in works like the Brandenburg Concertos. The form influenced the development of sonata form in the Classical era: the ritornello's key-area plan — tonic, dominant, and return to tonic — foreshadows sonata form's exposition, development, and recapitulation. Understanding ritornello form is essential for grasping how Baroque composers created large-scale coherence in an era before sonata form existed.
Vivaldi wrote over 500 concertos using ritornello form, prompting Stravinsky's famous quip that Vivaldi "did not write 500 concertos — he wrote one concerto 500 times."