diminished

theorydih-MIN-ishtfrom Latin

A chord or interval that has been reduced by a semitone from its minor or perfect form.

In Depth

A diminished interval is one semitone smaller than a minor or perfect interval. The diminished fifth (tritone) — spanning six semitones — is the most important diminished interval, sitting at the exact midpoint of the octave and creating a distinctly tense, unstable sound that demands resolution. The diminished seventh chord stacks three minor thirds, creating a symmetrical structure that divides the octave into four equal parts. This symmetry means there are only three distinct diminished seventh chords — each one can resolve to four different keys, making it an incredibly versatile tool for modulation. Romantic composers like Chopin and Liszt used diminished chords extensively for dramatic effect.
Did you know?

The diminished fifth was called diabolus in musica (the devil in music) by medieval theorists and was forbidden in church music for centuries because of its unsettling sound.

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