sforzato
A strong, sudden accent on a single note or chord, similar to sforzando but sometimes interpreted as slightly less forceful.
In Depth
Sforzato (abbreviated sfz or sf) is often used interchangeably with sforzando, though some performers and theorists distinguish between them, treating sforzato as a slightly gentler accent. Both markings indicate a sudden, sharp emphasis on a note or chord that immediately gives way to the prevailing dynamic level. The effect is like a musical exclamation point — a burst of energy that highlights a particular moment.
In practice, the intensity of a sforzato depends entirely on the surrounding dynamic context: an sfz within a pianissimo passage will be far quieter in absolute terms than one within a fortissimo passage, but both should produce the same relative sense of surprise and emphasis. Beethoven used sforzato markings prolifically and with great precision, often placing them on rhythmically unexpected beats to create powerful syncopations that drive the music forward with explosive energy.
Beethoven's Third Symphony (Eroica) contains so many sforzato markings that early performers thought they must be printing errors — they could not believe any composer would want so many abrupt accents.