musette

Musette takes its name from the bal-musette, the popular dance halls of Paris that flourished from the late 19th century through the mid-20th century. Originally associated with Auvergnat migrants who brought their bagpipes (musettes) to Paris, the genre was transformed when Italian immigrants introduced the accordion in the 1880s. The accordion quickly displaced the bagpipe, but the name "musette" stuck. The distinctive musette sound comes from using two or three sets of reeds tuned slightly apart, creating a shimmering vibrato (called "wet" tuning) that gives the music its romantic, nostalgic character. The waltz-musette, associated with artists like Émile Vacher, Gus Viseur, and later Yvette Horner, became the soundtrack of Parisian popular culture. The genre intersected with jazz through Django Reinhardt and Stéphane Grappelli's work in Parisian dance halls. Today, musette remains synonymous with a romanticized vision of Paris — café terraces, the Seine at dusk, lovers dancing under string lights.